Fielded: The Musical Evolution of Lindsay Powell
Discover how Lindsay Powell, known as Fielded, blends genres and explores unique inspirations in her music.
Lindsay Powell, artistically known as Fielded, is carving out a distinctive path in the music landscape. Since her inception as an experimental noise project, Fielded has evolved dramatically, merging unconventional sounds and redefining genres along the way.
From Noise to R&B
The journey began with her debut album, Ninety-Thirty-Thirty, where Fielded drew heavily from 1980s synth-pop, seamlessly integrating vivid saxophone solos into her tracks. This early work showcased her eclectic style, characterized by catchy melodies and a fusion of sounds.
With projects like Boy Angel, Fielded took a quirky plunge into the electronic music realm, experimenting with bold saw-wave synths and intricate percussion layers, all while layering her soaring vocals that captivate listeners. Her 2020 album, Demisexual Lovelace, brought a new flair, featuring collaborations with underground hip-hop artists Billy Woods and Elucid, which connected her roots in experimental music and contemporary R&B.
Latest Release: Some Kind of Animal
Fielded's latest effort, Some Kind of Animal, pulls together the diverse threads of her musical evolution. The album includes slow-burning tracks like “That Bitch” alongside a bold reinterpretation of Nine Inch Nails’ iconic “Closer,” infused with elements of 2000s neo-soul. Another standout, “Heaven,” showcases a collaboration with Pink Siifu, blending industrial funk elements with Fielded's signature style.
This album not only reflects her artistic journey but also her growth as an artist. Fielded has expressed her pride in this release, particularly the titular track, emphasizing how it embodies her creative vision.
Exploring Fielded's Inspirations
Intrigued by what fuels her creativity, we posed questions to Fielded about her artistic process and the influences she draws from. One of her standout tools in the studio is her Universal Audio Apollo Twin audio interface. She praises its functionality and the outstanding quality it brings to her recordings. With its digital studio plugins, Fielded achieves a professionally polished sound, merging her guitars and synths effortlessly.
Her curiosity extends far beyond music. One of her current fascinations is the world of scammers—big and small. Fielded is especially intrigued by their stories, often exploring how their unique psychology influences their actions. This obsession seeps into her creative output, illuminating her works with narratives that challenge traditional perspectives.
Reflecting on Growth and Storytelling
When it comes to personal advice that shapes her journey, Fielded recalls being advised to embrace patience. “Everything happens in its own time,” she shares, reminding herself of the importance of individuality in both life and art.
Fielded recently added to her physical media collection with Alissa Bennett’s Taxidermist’s Handbook, a compilation of essays that explores the world of con artists, aligning with her current interests. This blend of personal and artistic narrative serves to further enrich her work.
In a light-hearted moment, she offered a tagline for her potential biopic: “Freak Today, Freak Tomorrow,” which encapsulates her unpredictable and daring approach to life and music.
As Fielded continues to impress audiences with her genre-blending spirit and curious outlook, her journey promises to bring fresh narratives and sounds into the entertainment world.
